Birthday Bee Block Exchange Quilt

In late 2017 I decided to start a birthday bee block exchange. I'd seen them around Instagram and thought it looked like a really fun way to make friends and create scrappy quilts together, so I put out a call on IG and gathered 11 other ladies, some I "knew" and some I didn't. Natalie @smileyannn the organization queen assigned each person a month based loosely on birthdays, made a Google Doc with addresses, and each person picked a free block pattern and colors. I put together a Pinterest board of good Birthday Bee Quilt Block Options. I love what everyone picked! Each month in 2018, the birthday queen got all sorts of happy mail, it was the best.

For my block I chose to have the ladies help me add to my red and aqua 9 patch scrap quilt. I'd started it a long time ago but was far from achieving the size and scrappiness that I'd envisioned. I wanted it to look like something grandma made, where every fabric is different and you're not sure where it came from, which makes it just so mysteriously delightful. These ladies helped make it perfect!

Block: Simple 9-patch, finished size 6”

Fabric requirements: (9) 2.5” cut squares for each block-

Block A: 4 red and 5 white

Block B: 4 white and 5 aqua

Here are some of the other blocks that I loved making.

Strawberry Quilt Block Pattern

Scrappy Cross Roads Block Tutorial

Fabric requirements:

28- 2.5” low volume squares

17- 2.5” pink or red squares

4- 2.5” half square triangles-- half red/pink and half low volume

Instructions:

-Blocks are 7 squares by 7 squares

-Squares are 2” finished (2.5” unfinished)

-Assemble based on the picture above

Two people chose the Fussy Cut Economy Block Pattern from Red Pepper Quilts. These were so much fun!

You can see Kristen's finished quilt here. So amazing!

My friend Sue Ellen chose the cute Modern Christmas Tree block. I didn't get a picture of the ones I sent her, but here is her finished quilt. Adorable!

Natalie chose my free hot air balloon pattern Rise. I really want to do that sew along again!

I didn't get pictures of all the blocks I sent out, and I don't think everyone has finished their tops yet, so I might have to share again another time. It was so much fun and I'm really grateful for the sweet ladies who participated with me. The even surprised me with a quilt for my baby boy born in June. It is such a treasure! It's backed in navy minky and still a very coveted quilt around here. 

Though I couldn't participate again this year, it's something I certainly hope to do again and again in the future. So much fun! It helped me to do all the things I love- try new blocks, sew for fun, finish something small and check it off, and send quilty packages!

Background Fabric Guide for Quilters

One aspect of quilting that was overwhelming to me at first was background fabric. There are so many different shades of white! Not to mention all the other fun colors one can use. Today I'll share my experiences with them. Get ready to get into the details!

We'll start with whites. I break up "whites" into 3 categories: bright white, creamy white, and cream. Here's what they look like all together.  

Here is bright white (with beige), creamy white, and cream in projects. It's tricky to capture on camera, but in real life the difference is quite evident.

Specifically, these are Kona Ivory with Moda Bella 98 white, Kona Snow, and Kona Bone

It really makes a big difference which one you choose. Creamy fabrics on bright white background look tacky, and bright white fabrics on cream make the background look like it's dirty. Brightest white will show stains like crazy, cream gives you a little more wiggle room.

Here is an example of when whites don't match. I used a creamy background white (Kona Snow) with a Riley Blake line Summer Blush, which has a bright white background. In photographs it's not as evident, but in real life you really notice. It's not the end of the world, it's still a very pretty quilt, but I wish I had planned better. In this case I sewed it with dark night time indoor lighting, and didn't really notice until the next day when I saw in it natural light. Sometimes it's a tough call, as in the case, because I like the look of the colored fabrics against the creamy white better than I would against a bright, but the whites definitely don't match up. Let's talk about each one.

Cream

My favorite cream is Kona Bone. I use Konas the most just because that's the color card I have. It looks like RJR Cottom Supreme in Linen White would be comaparable, and I love their fabric too. I tend to use Bone with Fig Tree, older Bonnie and Camille lines like Marmalade, and anything with a creamy tone. If you ever used any Baby Jane by Cosmo Cricket, that's a very good example of a fabric on cream. It's an older line and one of my very favorites. 

Image via Fat Quarter Shop

Here are some projects I've used it for. Patterns are noted and linked below each picture. A lot of these go way back to when my photos were quite blurry, ha! Sorry about that.  

 Rise

 Bambino

 Low Volume Chain

Jumping Jacks

 No pattern, but you can check out how to put zippers in pillows.

 Garden Lattice from Simply Modern Christmas by Cindy Lammon

 Jumping Jacks again

Vintage from Simply Retro by Camille Roskelley

Creamy White

I use this by far the most. It's usually the best option, in my opinion. There are two that look almost identical to me- Kona Snow and Moda Bella 97, though I never use both in one project. I buy bolts of one or the other depending on what sales I find on Black Friday. Right now I'm using Snow for all my projects. They both work really well with most Moda fabric, particularly Bonnie and Camille or Lella Boutique. 

Jumping Jacks again, I've made 5!

no pattern, gift for my niece the Easter baby :)

Summer Blossoms

Chamomile

You should know that some people have had trouble with Bella 97 picking up colors from other fabrics in the wash. It is, after all, their "prepared for dyeing" white. I've used it a ton though, and have never had a single problem. Just wash cold, gentle, use a color catcher, and put it in the dryer immediately! Never let a quilt sit wet. 

Bright White

For bright white I've used Kona White, Moda Bella 98, and Riley Blake Riley White. I use this shade the least because it has the potential to look tacky with some fabrics, or have kind of a blue shade to it. Sometimes it works well though if you need a lot of contrast, or if you're working with fabrics that are brighter, such as Tasha Noel, and most any Riley Blake.

For this Primrose Path Quilt, I used Kona Ivory (the beige) with Moda Bella 98 bright white. I needed a bright white to really pop against the light background, a creamy one would have blended in and the chain wouldn't have been very visible.

Photo by Quilt Photography Co. 

Same story with this quilt. This is I Heart You by Then Came June and Pen and Paper Patterns. They just had a sew along and I LOVED IT! Since my aqua background (which is Cloud 9 Glimmer in Ice, and it sparkles!) was so light, again I needed something stark against it. In this case it was Riley Blake White.

When I made this quilt for Moda Bake Shop, they sent me bright white and it turned out beautifully. Lella Boutique fabrics are very versatile! There's a free pattern for Jane's Ladder.

Low Volume White
Another fun option is to use a low volume background. Low volume just means a fabric with white background and a very light colored pattern on it that appears white from a distance. There are varying degrees of "volume", Heritage Threads has some great posts about this.

An example would be this rainbow quilt. The stripes appear white from a distance, but up close you'll see that they are Riley Blake Swiss Dots, which are on a bright white. Low volumes can add a really fun element to your quilt.

Other backgrounds

You certainly don't have to stick to white! Mixing it up with your background color can be a really fun change, not to mention a more stain-hiding option.

A really popular background is Moda Crossweave. It feels and looks different than quilting cotton- a bit rougher, and has a beautiful texture. This quilt uses the Black cross weave.

Bambino

I used the Moda crossweave in Gray for this Valentines quilt.

Where Love Is

I've also used Robert Kaufman chambray dot in Indigo. This one is a little slippery and shifty to work with, but if you stick to a pattern with no bias cuts it's no problem at all. I should also point out that all of these kinds of weaves are very messy when you cut them up! Lots of dark lint and fluff. Keep a Swiffer top and lint roller handy :)

 Scrap quilt for charity

 Cakewalk by Thimble Blossoms

Finally, in my world aqua is a neutral and very much worthy of being a versatile background. This is Moda Bella Ruby Ice with Moda Bella 98 bright white in my First Snow pattern. This one was sewn by Julia of Red Rainbows Handmade.

Remember that background fabric is like choosing paint for the walls of your house. It may look light on the swatch, but it's always waaaay darker in mass quantities than you think it will be. When in doubt, choose the lighter shade. Both this aqua and the beige I used for Primrose Path look super pale on the swatches.

I hope that is helpful and wish you luck in all your background planning and sewing! 

New Mini Quilts- Sweet Marie and Summer Blossoms

Hello again! I finished up two mini quilts this week (that were 98% finished already, why is that last push so hard?) and I'm excited to have checked them off and joined with their mini friends.

Pattern links top to bottom and left to right:

First Snow, Clambake, (swap mini, no pattern), Rise, 

Summer Blossoms, Butterfly, Star Kisses,  

Sweet Marie, Flower Garden, 

Woodland Wander, Arabesque, Plus Cross

The ones I just finished are Summer Blossoms Mini, and Sweet Marie Mini, both patterns in my shop. 

Summer Blossoms took a while because I decided to add the embroidery around the centers to make them look like zinnias, one of my very favorite flowers. I did the crosshatch machine quilting first, and then added the embroidery stitches, not worrying about the chicken scratch on the back since it's a mini quilt and will be staring at the wall for all it's days.

 The mini blocks are 7", half the size of the regular sized ones. I loved making both! Here's the original quilt with the larger blocks.

Next up is Sweet Marie Mini. The first time I made this pattern was for Quilting in the Rain's Quilt Market booth over a year ago. I ended up selling that one for charity to donate money to the Puerto Rico hurricane victims. Funny thing- the person who bought it and donated the money was Jera Brandvig, the designer of the fabric :) She has it framed in her house! I'm so honored, her house is gorgeous.

I also made a pillow to go with it, using the block pattern from the regular sized Sweet Marie quilt. 

These mini blocks are also half size at 6", a great size to add sampler or Farmer's Wife quilts. I've got one in my 6" sampler that I'm so close to finishing! I think I only need 5 more blocks!

Here's the original Sweet Marie quilt for reference. I made the crib size, but it also comes with instructions for a throw size.

This is the fabric pull I started with for the Sweet Marie Mini. I ended up adding some fussy cuts to the tiny little squares. These are mostly Tasha Noel, Bonnie and Camille, varying lines, and a few basics and blenders from other favorite designers like Sedef Imer, Vanessa Goertzen, and Elea Lutz. 

It's nice to check those off! To celebrate I'm having a mini quilt sale, as well as a discount on the larger size of these two patterns. Minis are marked down already to $5, and large quilts to $7, no code needed!